queroserfabulosa

Nice Nature Wallpapers History

Source(google.com.pk)

Main ingredients are tree chips, hard charcoal, mugwort, green tea, junipers, pine trees, vermiculite, illite that are not harmful to human bodies and that provide a flavor of clean air, wild flowers and soil in the forest.

This wallpaper is specially treated with natural illite and pine tree powder for health purpose.

* Deodorization: over 84% ---- ( Testing result attached 1 ) / (Testing result attached 2 )

* Antibiosis: over 97% ---- (Testing result attached 1 ) / (Testing result attached 2 )

* Bio infrared rays: over 93% ---- (Testing result attached 1 ) / (Testing result attached 2 ) / (Testing result attached 3 )

* Anion radiation

* Humidity control

* The product completely removes toxic of cement and paint. ---- (Testing result attached 1 ) / (Testing result attached 2 )

* The product prevents bronchitis, asthma and atopic dermatitis

* In two months it's apparent that the plants put in the place in which pine Eden Bio wallpapers is installed grow faster than the plants

put in the place vinyl wallpapers are installed. (As for oriental orchids, the buds grow by 3~4 cm).

Wallpaper is a kind of material used to cover and decorate the interior walls of homes, offices, and other buildings; it is one aspect of interior decoration. It is usually sold in rolls and is put onto a wall using wallpaper paste. Wallpapers can come plain (so that it can be painted), textured (such as Anaglypta), or with patterned graphics.

Wallpaper printing techniques include surface printing, gravure printing, silk screen-printing, rotary printing, and digital printing. Mathematically speaking, there are seventeen basic patterns, described as wallpaper groups, that can be used to tile an infinite plane. All manufactured wallpaper patterns are based on these groups. A single pattern can be issued in several different colorways.Wallpaper, using the printmaking technique of woodcut, gained popularity in Renaissance Europe amongst the emerging gentry. The elite of society were accustomed to hanging large tapestries on the walls of their homes, a tradition from the Middle Ages. These tapestries added color to the room as well as providing an insulating layer between the stone walls and the room, thus retaining heat in the room. However, tapestries were extremely expensive and so only the very rich could afford them. Less well-off members of the elite, unable to buy tapestries due either to prices or wars preventing international trade, turned to wallpaper to brighten up their rooms.

Early wallpaper featured scenes similar to those depicted on tapestries, and large sheets of the paper were sometimes hung loose on the walls, in the style of tapestries, and sometimes pasted as today. Prints were very often pasted to walls, instead of being framed and hung, and the largest sizes of prints, which came in several sheets, were probably mainly intended to be pasted to walls. Some important artists made such pieces, notably Albrecht Dürer, who worked on both large picture prints and also ornament prints intended for wall-hanging. The largest picture print was The Triumphal Arch commissioned by the Holy Roman Emperor Maximilian I and completed in 1515. This measured a colossal 3.57 by 2.95 metres, made up of 192 sheets, and was printed in a first edition of 700 copies, intended to be hung in palaces and, in particular, town halls, after hand-coloring.

Very few samples of the earliest repeating pattern wallpapers survive, but there are a large number of old master prints, often in engraving of repeating or repeatable decorative patterns. These are called ornament prints and were intended as models for wallpaper makers, among other uses.

England and France were leaders in European wallpaper manufacturing. Among the earliest known samples is one found on a wall from England and is printed on the back of a London proclamation of 1509. It became very popular in England following Henry VIII's excommunication from the Catholic Church - English aristocrats had always imported tapestries from Flanders and Arras, but Henry VIII's split with the Catholic Church had resulted in a fall in trade with Europe. Without any tapestry manufacturers in England, English gentry and aristocracy alike turned to wallpaper.

During the Protectorate under Oliver Cromwell, the manufacture of wallpaper, seen as a frivolous item by the Puritan government, was halted. Following the Restoration of Charles II, wealthy people across England began demanding wallpaper again - Cromwell's regime had imposed a boring culture on people, and following his death, wealthy people began purchasing comfortable domestic items which had been banned under the Puritan state.

[edit]18th century

In 1712, during the reign of Queen Anne, a wallpaper tax was introduced which was not abolished until 1836. By the mid-eighteenth century, Britain was the leading wallpaper manufacturer in Europe, exporting vast quantities to Europe in addition to selling on the middle-class British market. However this trade was seriously disrupted in 1755 by the Seven Years War and later the Napoleonic Wars, and by a heavy level of duty on imports to France.

In 1748 the British Ambassador to Paris decorated his salon with blue flock wallpaper, which then became very fashionable there. In the 1760s the French manufacturer Jean-Baptiste Réveillon hired designers working in silk and tapestry to produce some of the most subtle and luxurious wallpaper ever made. His sky blue wallpaper with fleurs-de-lys was used in 1783 on the first balloons by the Montgolfier brothers.[1] The landscape painter Jean-Baptiste Pillement discovered in 1763 a method to use fast colours.

Towards the end of the 18th century the fashion for scenic wallpaper revived in both England and France, leading to some enormous panoramas, like the 1804 20 strip wide Panorama, designed by the artist Jean-Gabriel Charvet for the French Manufacture Joseph Dufour et Cie showing the Voyages of Captain Cook.[2] One of this famous so called "papier peint" wallpaper is still in situ in Ham House, Peabody Massachusetts.[3] Beside Joseph Dufour et Cie other French manufacturers of panoramic scenic and trompe l'œil wallpapers, Zuber et Cie and Arthur et Robert exported their product across Europe and North America. Zuber et Cie's c. 1834 design Views of North America[4] is installed in the Diplomatic Reception Room of the White House. Like most of eighteenth century wallpapers, this was designed to be hung above a dado.Hand-blocking wallpapers like these are manufactured by using a centuries old method in which wallpaper is hand-printed from hand-carved blocks on paper. Hand-blocked wallpaper depicted scenes include, panoramic views of antique architecture, exotic landscapes and pastoral subjects, as well as repeating patterns of stylized flowers, people and animals. The 1797 founded French company Zuber et Cie in Rixheim, France[1] is the only company in the world which still manufactures woodblocked wallpaper.

In 1785 Christophe-Philippe Oberkampf had invented the first machine for printing coloured tints on sheets of wallpaper. In 1799 Louis-Nicolas Robert patented a machine to produce continuous lengths of paper, the forerunner of the Fourdrinier machine. This ability to produce continuous lengths of wallpaper now offered the prospect of novel designs and nice tints being widely displayed in drawing rooms across Europe.[5]

Wallpaper manufacturers active in England in the 18th c. included John Baptist Jackson[1] and John Sherringham.[6] Among the firms established in 18th c. America: J. F. Bumstead & Co. (Boston), William Poyntell (Philadelphia), John Rugar (New York).[1]

[edit]19th century

During the Napoleonic Wars, trade between Europe and Britain evaporated, resulting in the gradual decline of the wallpaper industry in Britain. However, the end of the war saw a massive demand in Europe for British goods which had been inaccessible during the wars, including cheap, colourful wallpaper. The development of steam-powered printing presses in Britain in 1813 allowed manufacturers to mass-produce wallpaper, reducing its price and so making it affordable to working-class people. Wallpaper enjoyed a huge boom in popularity in the nineteenth century, seen as a cheap and very effective way of brightening up cramped and dark rooms in working-class areas.

Wallpaper manufacturing firms established in England in the 19th c. included Jeffrey & Co.; Shand Kydd Ltd.;[1] Lightbown, Aspinall & Co.;[1] John Line & Sons;[1] Potter & Co.;[7] Arthur Sanderson & Sons; Townshend & Parker.[8] Designers included Owen Jones, William Morris, and Charles Voysey.

Among the firms begun in France in the 19th c.: Desfossé & Karth.[1] In the United States: John Bellrose, Blanchard & Curry, Howell Brothers, Longstreth & Sons, Isaac Pugh in Philadelphia; Bigelow, Hayden & Co. in Massachusetts; Christy & Constant, A. Harwood, R. Prince in New York.[9]

[edit]20th century

By the early twentieth century, wallpaper had established itself as one of the most popular household items across the Western world. Manufacturers in the USA included Sears;[10] designers included Andy Warhol.[11] During the late 1980s wallpaper began to fall out of fashion in lieu of Faux Painting which can be more easily removed by simply re-painting.[citation needed]

[edit]Historical collections

Historical examples of wallpaper are preserved by cultural institutions such as the Deutsches Tapetenmuseum (Kassel) in Germany;[12] the Musée des Arts Décoratifs (Paris) and Musée du Papier Peint (Rixheim) in France;[1] the Victoria & Albert in the UK;[13] the Smithsonian's Cooper-Hewitt,[14] Historic New England,[15] Metropolitan Museum of Art,[16] U.S. National Park Service,[17][18] and Winterthur[19] in the USA.

[edit]Types and sizes

In terms of methods of creation, wallpaper types include painted wallpaper, hand-printed woodblock wallpaper, hand-printed stencil wallpaper, machine-printed wallpaper, and flock wallpaper.[1]

Modern wallcoverings are diverse. Two of the most common factory trimmed sizes of wallpaper are referred to as "American" and "European" rolled goods. American rolled goods are 27 inches by 27 feet (8.2 m) in length. European rolled goods are 21.5 inches wide by 33 feet (10 m) in length. Approx. 60 square feet (5.6 m2). Most wallpaper borders are sold by linear foot and with a wide range of widths therefore square footage is not applicable. Although some may require trimming.

The most common wall covering for residential use and generally the most economical is prepasted vinyl coated paper, commonly called "strippable" which can be misleading. Cloth backed vinyl is fairly common and durable. Lighter vinyls are easier to handle and hang. Paper backed vinyls are generally more expensive, significantly more difficult to hang, and can be found in wider untrimmed widths. Foil wallpaper generally has paper backing and can (exceptionally) be up to 36 inches wide, and be very difficult to handle and hang. Textile wallpapers include silks, linens, grass cloths, strings, rattan, and actual impressed leaves. There are acoustical wall carpets to reduce sound. Customized wallcoverings are available at high prices and most often have minimum roll orders.

Solid vinyl with a cloth backing is the most common commercial wallcovering and comes from the factory as untrimmed at 54 inches approximately, to be overlapped and double cut by the installer. This same type can be pre-trimmed at the factory to 27 inches approximately.

[edit]Custom wallpaper printing

New digital inkjet printing technologies using ultraviolet (UV) cured inks are being used for custom wallpaper production. Very small runs can be made, even a single wall. Photographs or digital art are output onto blank wallpaper material. Typical installations are corporate lobbies, restaurants, athletic facilities, and home interiors. This gives a designer the ability to give a space the exact look and feel desired.

[edit]Installation

Like paint, wallpaper requires proper surface preparation before application. Additionally wallpaper is not suitable for all areas. For example, bathroom wallpaper may deteriorate rapidly due to excessive steam. Proper preparation includes the repair of any defects in the drywall or plaster and the removal of loose material or old adhesives. Accurate room measurements (length, width, and height) along with number of window and door openings is essential for ordering wallpaper. Large drops, or repeats, in a pattern can be cut and hung more economically by working from alternating rolls of paper. Paper is sold (with very few exceptions) in double rolls.

Besides conventional installation on interior walls and ceilings, wallpapers have been deployed as decorative covering for hatboxes, bandboxes, books, shelves, and window-shades.[20]

[edit]Wallpaper adhesives

Main article: Wallpaper adhesive

Most wallpaper adhesive are starch or methylcellulose based.

[edit]Removal

[edit]Water

The simplest removal option is to brush the paper with water. Water soaks through the paper and saturates the glue, allowing the paper to be peeled off.

This does not work well with non-peelable vinyls, as vinyl is not porous. Nevertheless it is still effective on many modern papers.

A mixture of 3:1 or 1:1 Water and White Vinegar is effective at dissolving glues. If the wallpaper is scored or sanded with a 20 grit floor sanding pad to scratch the surface solution uptake will be more effective.

[edit]Chemical wallpaper stripper

Chemical wallpaper stripper can be purchased at most paint or home improvement stores. It is mixed with warm water or a mixture of warm water and vinegar, then sprayed onto wall surfaces. Several applications may be required to saturate the existing wallpaper. Perforation can aid in the absorption of the mixture and lead to faster removal. After the mixture has dissolved the wallpaper paste, the wallpaper can be removed easily by pulling at the edges and with the aid of a putty or drywall knife.

[edit]Steam

Another method of removal is to apply steam to wallpaper in order to dissolve the wallpaper paste. A wallpaper steamer consists of a reservoir of water, an electric heating element, and a hose to direct the steam at the wallpaper. The steam dissolves the wallpaper paste, allowing the wallpaper to be peeled off. However, care must be taken to prevent damage to the drywall underneath. Sometimes steaming can lead to the crumbling of underlying drywall or plaster, leaving an uneven surface to be repaired.\